Henri Matisse, Memory of Oceania, 1952 - 53, Museum of Modern Art (MoMA), New York City

Henri Matisse, Memory of Oceania, 1952 - 53, Museum of Modern Art (MoMA), New York City

Henri Matisse, Two Masks (The Tomato), 1947

Henri Matisse, Two Masks (The Tomato), 1947

femalebeautyinart:

Jupiter and Antiope by Titian, 1542; Antoine Watteau, c. 1715; and Jean-Auguste-Dominique Ingres, 1851

femalebeautyinart:

Portrait of a Lady as Evelina by John Hoppner, 1780

femalebeautyinart:

Portrait of a Lady as Evelina by John Hoppner, 1780

hoodbypussy:

Évolution inversée

“It took me four years to paint like Raphael, but a lifetime to paint like a child.”
― Pablo Picasso

(via weregirl-frankenbitch)

thingsorganizedneatly:

cavetocanvas:

Damien Hirst, The Tears of Jesus, 2003-2005

thingsorganizedneatly:

cavetocanvas:

Damien Hirst, The Tears of Jesus, 2003-2005

twiceassure:

“I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.”
—   Frida Kahlo

twiceassure:

I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.

—   Frida Kahlo

(via mangoesnbridgecameras)

Lucy Hilmer, Birthday Suit - Ages 33, 36, 43, 52, 56, 60, 67, 1978 - 2012 

I recognized that person more than the skin-deep girl posing in the other frames of film. That girl in her underpants was vulnerable, open, awkward — she was me. (x)

Goya, from Los Caprichos, 1799, Metropolitan Museum of Art, New York City

  • Plate 66: Allá vá eso (There it goes)
  • Plate 52: Lo que puede un Sastre! (What a tailor can do!)

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