Musée d'Art

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Great art has dreadful manners. The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to rearrange your sense of reality. (The Power of Art, Simon Schama)

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    John White Alexander, Isabella and the Pot of Basil, 1897, oil on canvas, Museum of Fine Arts, Boston

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